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IT IS THEREFORE IMPORTANT THAT YOU READ THIS LICENSING AGREEMENT WITH CARE BEFORE USING THE SOFTWARE. BY USING (INSTALLING OR MAKING A BACKUP COPY OF) THE SOFTWARE, YOU ARE AGREEING TO THE TERMS SET OUT IN THIS AGREEMENT.
#Realivox blue free download software#
THE ENCLOSED SOFTWARE PROGRAM IS LICENSED BY KORG TO YOU AS THE ORIGINAL PURCHASER FOR USE ONLY ON THE TERMS SET OUT HEREIN. (REFERRED TO IN THIS AGREEMENT AS “KORG”) FOR YOUR USE OF THE SOFTWARE IN THIS PRODUCT AND OUR SUPPORT SERVICES TO YOU. THE FOLLOWING IS THE SOFTWARE LICENSING AGREEMENT BETWEEN YOU, THE END USER, (REFERRED TO IN THIS AGREEMENT AS “YOU” OR “YOUR”) AND KORG INC. PLEASE READ THIS CAREFULLY BEFORE YOU OPEN THE DISK PACKAGE. KORG 01/W is a workstation keyboard, which was first put into production in 1991, replacing a popular instrument Korg M1.This keyboard, which continued the traditional «KORG» sound, come down to our days as a series of «Triton» and «Oasys» etc.This keyboard was produced until 1995.

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Realivox Blue (and Kontakt) works on PC or Mac.Korg 01/W - Free SoundFont SF2. And we actually charge you less than what we pay them.
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We pay a license fee to Native Instruments so that you can use Realivox Blue in the free Kontakt Player. Or if you don’t feel like spending $399 on Kontakt, no problem.
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KONTAKT OR KONTAKT PLAYER – YOU'RE COVERED EITHER WAYĭo you have the full version of Kontakt? Then we pass the savings on to you.

There are volume, pan, tuning and timbre settings, as well as delay offset, if you don’t want the singers too perfectly in sync. No need to open a second or third track for doubles or triples. Whether you want to thicken her a bit, or whether you want to create an ensemble sound, simply turn on Voice 2 and Voice 3 and you’re in business. Check out the videos to see how easy it is. There’s only one knob, and you’ll probably never even touch it. We believe this is the simplest and most intuitive polyphonic legato there is. Then we spent months editing and balancing to get the legato as smooth as we could make it. And “oowah.” And “ooweh.” And “eeyoh.” And on and on. (Try it yourself and you’ll hear what I mean.) So we have “oowee” legato samples. When you sing from oo, to ee, there will be a “w” in the transition. We sampled legato intervals for all six vowels, as well as for “mm.” (We find humming to be a particularly useful articulation.) Not just the six/seven vowels, but also the special transitions betweem say, oo to ee. No other vocal library that we know of has gone this deep in the quest for realistic vocal performances. This is why Realivox Blue is 12,000 samples. A closing “s” that specifically goes with an “ee” vowel. First is the “p” sample that specifically with “e.” Then you won’t hear just any “ee,” but you’ll actually get the “ee” that comes after “p.” (Your ear would know if we tried to cheat and use a regular “ee” instead.) Then you’ll hear a few milliseconds of a closing “ee” that would lead into “s.” And then finally, the “s”. So when you play “Peace,” you’ll be triggering four samples altogether.

So we sampled not only 192 ending “t” consonants (6 vowels times 32 samples per vowel), but we also recorded the closing vowel sounds leading into each consonant. A singer’s mouth closes differently, depending on which consonant they’re going to. When we recorded the ending consonants (completely separate samples), we noticed that it doesn’t sound quite right if you just slap an end consonant sample onto the end of a vowel sample. For each consonant, that’s six sets for each vowel. There are two and a half octaves of “k” samples (32 samples) that go into “ah.” Another 32 of “k” into “eh.” And so on. Listen to how your own “s” will sound different, depending on the vowel.) So each consonant was recorded separately going in and out of each vowel. Consider these elements:Īn “s” singing into an “ee” sounds different from an “s” singing into an “oo.” (Try it yourself. Six vowels and 23 consonants give you the tools to create your own words and phrases.** But we went deeper than just sampling a bunch of vowels and consonants.
